310016 BREST. Steel engraving. Back: Plain. Maker: Bibliographic Institute, Hildburghausen. 188x256 (sheet), 105x148 mm (picture). c1850.
Numbered "DXXXV" (535).
Loose under passe-partout, very good conservation.



 

290029 Fürst von Toren (Prince of Thorn). Student drinking session (intended for an autograph case). Design: Ernst Ludwig Riepenhausen (1762-1840). Etching. Back: Handwritten dedication. Maker: Johann Carl Wiederhold, Göttingen. 111x160 mm. 1828.
Lit.: Brednich [1997] 734.
The "Prince of Thorn" is a student song that requires each one in the round to climb on the throne, a chair on the table. The dedication at the back is dated from Georgia Augusta (Göttingen's university), it mentions Ulrich's Garden (an inn) and is signed by E. Villanne from Berlin. Very good conservation.



 

290075 Fili Redemptor Mundi Deus miserere nobis. Jesus crucified. Copper engraving on parchment, colored with gouache. Back: Plain. 118x69 mm. c1800.
Skilful painting, almost completely covering up the copper engraving. Crease at the lower right corner, otherwise very good conservation.



 

290245 Der Bauern Calender (Country Almanac). 1854. Published by John C. Davis, No. 133 North 3rd Street, Philadelphia. 36 pp., ill. title, one full-page & other ill. Stitched. Type & wood engraving. 202x163 mm.
Browning, missing corners or dog-eared, partly dirtied, some waterstains.



 

290540 Giuoco dell'Orologio (Game of the watch). Big pocket watch, the rules in the lower margin. Color lith. Back: Plain. Maker: Edizioni Marca Stemma d'Italia (Coat of arms of Italy), Milano. 504x352 mm. c1930.
Small lack of paper in the upper left (white) corner, faint horizontal folding mark through the middle, the fold minimally split in the borders, a tiny hole.



 

290081 CHRIST AUX EVANGELISTES (Jesus Christ and the Evangelists). The crucified Jesus between the portrays of the 4 evangelists. Design: François Georgin (1801-1863). Stencil-col. woodcut. Back: Plain. Maker: Pellerin, Épinal. 606x397 mm. c1850.
Lit.: atp [1996] 188 var. (first edition in 1827).
Bottom right the indication: "Autorisé pour le Colportage par décision ministérielle." (Allowed for peddling by decision of the minister). The margins underlaid with paper, faint browning, repaired marginal tears, one horizontal folding mark.


 

310006 CASTLE OF RHEINSTEIN. Chateau de Rheinstein. Design: J. Wilson after W. Tombleson. Steel engraving. Back: Plain. Maker: G. Virtue, Ivy Lane, London. 147x220 (sheet), 105x142 mm (picture). 1832.
Probably taken from "Tombleson's Views on the Rhine". The white margin min. dirtied, loose under passe-partout, very good conservation.




 

290292 Envelope, entirely made of die cut lace, which forms on the front side the word SOUVENIR in an ornamental frame, while the flaps of the back are decorated with flowers and flourishes. 80x120 mm. c1850.
Folds partly split, otherwise very good conservation.


 

310011 The tower of St. Jacques. Design: A.H. Payne after Sinnet. Hand-col. steel engraving. Back: Plain. Maker: A.H. Payne, Leipzig and Dresden. 207x250 (sheet), 138x198 mm (picture). c1860.
Modern coloring.
Small stain in the white margin, loose under passe-partout, very good conservation.


 

310017 HAVRE. Steel engraving. Back: Plain. Maker: Bibliographic Institute, Hildburghausen. 188x257 (sheet), 102x160 mm (picture). c1850.
Numbered "CLII" (152).
Loose under passe-partout, very good conservation.



 

290464 "Le Prince de Hohenlohe, Maréchal de France." Bust in uniform to the left over crossed blooming branches. Picture made of needle stitches on thin white paper, partially worked out in relief. Watermark: J. Johannot. Maker: Unknown, France. 270x215 mm. c1840.
Louis-Aloys-Joachim de Hohenlohe (1765-1829) fought against Napoléon in the Royal army of the émigrés. He was made a Marshall of France in 1827. Some tiny repaired tears.


 

310007 BACHARACH. Design: H. Weeks after W. Tombleson. Steel engraving. Back: Plain. Maker: Tombleson & Co., 11 Paternoster Row, London. Creuzbauer & Co., Karlsruhe. 146x239 (sheet), 90x147 mm (picture). 1832.
Probably taken from "Tombleson's Views on the Rhine". Loose under passe-partout, very good conservation.



 

290303 View of the railway Fürth-Nürnberg. 4 horizontal stripes: at the top, the train goes from the left to the right, at the bottom the other way round. On the 2 middle stripes, in parallel - in the true sense of the word - to the new means of trnasport, the author shows the view from the train: houses, trees, country & city people, riders, coach & horse & cart. Printed in gold on multicolored paper. Back: Plain. Maker: Johann Lechner, Fürth (?) 351x432 mm. c1836.
Lit.: Heijbroek/Greven [1994] 155.
The background is stencilled with a pattern of lozenges in green, yellow, vermilion & carmine. The train started for the first time from Nürnberg to Fürth on Dec. 7, 1835. It is quite exactly represented with its tender, an open, a covered & a closed carriage. The medium brocade paper & its technique were by that time already things of the past. We see now in front of us one of its last evidences in conjunction with the first occurrence of a means of transport that will revolutionize the ways of life: actually a symbol of the end of the old world at the beginning of the industrial era. Very good conservation.


   
   

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